As an artist, educator and researcher, he is dedicated to creating projects through self-managed initiatives and collaborative networks. These collaborations extend to other artists –dancers, actors, performers–, as well as to educational institutions interested in the link between knowledge production, pedagogical strategies and creative practices.
His work as a creator is located within the field of living arts and philosophy, where he develops relationships between aesthetics and politics. His works tend to combine dance, contemporary theater and performance, where he expands his research into technological devices, sound design and audiovisual installation. In poetic terms, his works are constantly inspired by contemporary social issues with the aim of producing critical instances through art.
Some of the works he has directed are How to Learn to Be Alone (2024), Four Stories in a Cabin (2024), Border (2023), Souls (2023), Carne Argentina (Prelude to a Cyborg from the Pampas) [2021], The Trap of Paradise Lost (2019), and he is co-founder of Experimento Heliotrópico (2011) and Assaigs en viu (2007).
Within the academic framework, he holds a Master's degree in Contemporary Stage Thought and Creation from the School of Dramatic Art of Castile and León (Spain), a Bachelor's degree in Social Sciences and Humanities from the National University of Quilmes (Argentina), and a Higher Technician in Journalism from the Taller Escola Agència (Argentina). Since his arrival in Europe, he has collaborated with artists such as Stefan Kaegi (Rimini Protokoll), Sasha Waltz & Guests, María Jerez and the company Hermanas Picohueso.
His artistic works have received institutional support from the National Fund for the Arts, PRODANZA, the National Institute of Music, and have participated in local and international festivals.
In 2024 he was nominated for the María Guerrero Awards – the most prestigious award in the theater of his country of origin – as best choreographer for the play Frontera.
