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TENTETIESO / AHOTS HUTSEAN

WITH Maider Lasa
10 to 15 of December
"

This project explores an interdisciplinary stage creation that combines music, movement, light, and visual materials in a constant dialogue. Starting from a visual and plastic impulse, the proposal focuses on the imagery of the body and round shapes, with the figure of the tentetieso (roly-poly toy) as the central axis: a body that sways, spins, and never falls. A life-sized tentetieso will be built, and elements such as balls, round objects, and a rear projector will be incorporated to create effects of light, shadow, and non-linear movement.

The music, conceived as another character, interacts with two other bodies: the material and the luminous, establishing a dialogue on the same level. The constant sound of the metronome contrasts with the off-beat rhythms of bouncing and falling balls, generating a unique sonic experience. This investigation proposes a universe where everything is curvature, balance, and transformation, with bodies that blur, seemingly impossible shapes, and an atmosphere of lights, shadows, and vapor that invites contemplation.

Suport:

Maider Lasa

The multidisciplinary artist combines extensive experience as a singer, actress, and stage creator. She stands out as a performer in choreographic pieces such as A BEGINNING #16161D by Aurora Bauzà and Pere Jou (premiered in March 2023 at the Auditori de Barcelona) and Kristall Boheme by Vivian Friedrich (premiered in June 2022 at the Mercat de les Flors). She has also worked as an actress and singer in Naturaren Sekretua and as a puppeteer in Izarren Hartza, both productions by the Panta Rhei company in Vitoria-Gasteiz. In 2022, she created and performed Loa loa, laguna, an interdisciplinary stage piece, and released an album of Basque lullabies under the same title.

With a solid pedagogical and choral background, she has been a vocal technique teacher for companies such as Iniciativa Sexual Femenina and leads workshops on voice, body, and movement at Sala Baratza. She collaborated in cultural projects such as Crescendo and the Kantu Kantari project, and for twelve years, she was a choir member in the Crescendo choir, participating in international choral festivals and olympiads. Her experience also includes notable performances in theatrical productions such as "Ricardo III" at the Sala Joan Brossaand "Un petit príncep" with the company The Amateurs.

Residencies